2.9.14 at 20:51 · llvnos · source · 981 · reblog

1000drawings:

Gustav Klimt

Upper portion of two lovers   1908

5centsapound:

Émilie Régnier: Mali Passport

via foam: ‘I am really driven by the idea of showing a West African society that is growing,’ says Régnier. That means ignoring the easy and the rote: pictures of elites quaffing champagne, or images cataloguing the atrocities of war. Witnessing with a camera takes many forms. For Régnier, photographic truth is located in the bodily presence of young West Africans proudly negotiating their future, a diverse future of many possibilities.’

wtfarthistory:

Sister Wendy and David Hockney… Hot.

*fills mason jar with vodka* i’m doing a cleanse

1.9.14 at 13:38 · poboh · source · 22 · reblog

poboh:

Vintage Poster, Und zum Schluss schuf der Liebe Gott den Kuss Hugo Hirsch, 1923, Wolfgang Ortmann. (1885 - 1967)

artofthedarkages:

114v, Gospels, MS 58, Trinity College Dublin

Un día fuiste, un día serás. Este día eres.
---Frida Kahlo   (via tetozcananalo)
30.8.14 at 9:57 · dreamglitch · source · 85689 · reblog

A line of roses lines the street where Michael Brown was shot

design-is-fine:

Salvador Dali, Illustration for Dante’s La Divine Comédie, 1963. Paris. Via Bassenge

magictransistor:

Franz Mayer, Popocatépetl, México City, c. 1905.

What I want to say, querido, is
hunger is not romantic to the hungry.
What I want to say is
fear is not thrilling if you’re the one afraid.
What I want to say is
poverty’s not quaint when it’s your house you can’t escape from.
Decay’s not beautiful to the decayed.
---from “Still Life with Potatoes, Pearls, Raw Meat, Rhinestones, Lard, and Horse Hooves” by Sandra Cisneros, Loose Woman (via wine-loving-vagabond)
theme.