The Casino at Ostende, 1908, Léon Spilliaert. Belgian (1881 - 1946)
- Colored Pencils, Chinese Ink (Sumi), Silvered Powder and Wash -

21.10.14 at 16:58 · anjanana · source · 5380 · reblog


nora attal and nader chaudhry by jamie hawkesworth for t magazine 

i keep thinking about this look. 


Thomas Struth:   Art Restorers at San Lorenzo Maggiore, Naples, Italy.


Anonymous, Martyrdom of St Bartholomew, 1623, oil on copper, 175 x 100 cm., Iglesia Santa Clara la Real, Tunja.


Françoise Sagan at Théatre des Champs Elysees, Paris 1958

Frank Horvat


Edvard Munch — Der Tag Danach [The Day After], drypoint and aquatint, 1895.


Sascha Schneider aka Rudolph Karl Alexander Schneider (German, b. 1870, Saint Petersburg, Russia, d. 1927) - Untitled (Study Of A Reclining Male Nude With Tucked Up Legs), 1894     Drawings: Pencil, Charcoal, White Highlights on Grey Paper



Michael Foucault goes up to the counter and orders an iced coffee. Is his choice a product of his past or his present? Aren’t we all just at the whim of the power structures that control our society? Should we abandon this Starbucks and take control of our own beverages? What do we know about coffee? What do any of us know about anything? The barista, not surprisingly, quits her job.


Rainstorm over the Sea

by John Constable

Date painted: c.1824–1828

Oil on paper laid on canvas, 23.5 x 32.6 cm

Collection: Royal Academy of Arts

18.10.14 at 16:31 · berlin2046 · source · 34538 · reblog


Mark Rothko, (White, Black, Rust, on Brown) ,1968 , Acrylic on paper


David Lynch around 1966, when he was an art student at the PAFA